Damaskus-Berlin: Maria Magdalena Wiesmaier, cello & Nabil Hilaneh, oud

Sunday 26 November 2017
St Edward's Church, Peas Hill CB2 3PP
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Two master musicians and two musical universes meet: the intricate melodic improvisation, quarter tones, contemplative silence of the Arab tradition and the harmony and written structures of classical Western music are explored in classic works and powerful new compositions.

 

PROGRAMME

Improvisation in G minor - cello & oud

J.S.Bach, Prelude from Suite no 3 in C major, BWV 1009 - cello

Kurd maqam - cello & oud

Oud solo

Nawa Ather maqam - cello & oud

Sada (Echo) - cello & oud

J.S. Bach, Prelude from Suite no 2 in D minor, BWV 1008 - cello

Oud solo

Hijaz - cello & oud

Maria Magdalena Wiesmaier was born in Augsburg, Germany and studied cello at the Leopold Mozart Konservatorium, Augsburg, the Franz Liszt Academy, Weimar and in London with Christopher Bunting and Raphael Wallfisch. She broadcasts and performs as a soloist and chamber musician both in Germany and abroad, and accompanies the actor Klaus Maria Brandauer on solo tours, performing at the Vienna Burgtheater, Konzerthaus Berlin, Alte Oper Frankfurt and numerous festivals.

The oud player Nabil Hilaneh studied at Academy of Music in Damascus and while still a student was a prize-winner in Lebanon’s International Competion of the Arabic Oud. After graduation and further studies with Naseer Shamma, he performed both in Syria and elsewhere in the Middle East including festivals such as Cairo’s Arabic Oud Festival and has also taught at Cairo’s House of the Arabic Oud. Since settling in Berlin in 2014 he has performed throughout Europe.

The duo’s intense creative dialogue, the interaction of their respective classical traditions, the acoustics of their instruments shape their extraordinary improvisations and compositions. Nabil is particularly inspired by the oud master Munir Bashir (1930 - 1997) whose meditative, intense distillation of the Arabic tradition makes subtle use of silence. Maria embraces the Western tradition from the Baroque, with its culture of variation and ornamentation reminiscent of Arabic music, to contemporary composers such as György Kurtag (1927-). Together, Maria and Nabil are moving from the maqamat, the Arabic melodic modes, towards their own music – a music that speaks to our time.

Event type:
Running time:

2 hours